Rush's next studio album after Moving Pictures was 1982's Signals. This album went even farther in the synthetic, electronic sound that would define the band's music for the next several years: synth-dominant songs, heavily processed guitar solos, and recurring themes of technology and progress.
The lead track, "Subdivisions," is typical: Alex Lifeson's guitar playing, while indispensable, plays second fiddle to Geddy Lee's synth chording. And, of course, parts of the video were shot in a video arcade at the height of the video game craze.
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