No, not my cabin fever. This isn't the first time I've been housebound for a long period for health reasons. (And I have a wonderful, stimulating relationship with my collection of singing potatoes.) But it seems that prolonged self-isoloation, social distancing, and other buzzwords that can't disappear soon enough is starting to cause some people to go a little, er, shack wacky.
The big ship always wins, part 1
A train engineer faces federal charges after he allegedly admitted to intentionally derailing a train Tuesday near the USNS Mercy, a ship sent to Los Angeles to ease the burden of hospitals treating coronavirus patients, according to the Department of Justice.
Eduardo Moreno, 44, told law enforcement investigators he was "suspicious" of the ship and believed it "had an alternate purpose related to COVID-19 or a government takeover," the Justice Department said in a news release, citing the affidavit.
Turns out a 60-foot, 200-ton diesel locomotive doesn't maneuver too well when you take it off the tracks. The Mercy was never safer.
The big ship always wins, part 2
A Venezuelan navy coastal patrol boat sank in the Caribbean after allegedly ramming a cruise ship that it had ordered to change direction.
Basically, the cruise ship, the RCGS Resolute, stopped in international waters off the coast of Venezuela to perform maintenance. They were contacted by the Venezuelan vessel and ordered to follow them to port. While they were in contact with the head office, the Venezuelans opened fire then attempted to ram the Resolute on the starboard bow. Unfortunately for them, their boat appears to have been constructed from tin foil, while the Resolute, being designed to resist icebergs, is made of sterner stuff. Glug, glug, glug.
"Venezuela accused the Resolute of an act of 'aggression and piracy.'" I suppose, if by "piracy" you mean passively ignoring the Venezuelan navy's courageous own-goal, sure.
Practical Cats is a short volume (fewer than 50 pages), but that's typical of poetry collections. Unlike his more weighty poems, such as "Prufrock," "The Waste Lands," or "The Hollow Men," this is light verse, originally penned to amuse his godchildren. (Though perhaps the occasional classical allusion slips in—I wonder whether "The Naming of Cats," which reveals that cats have three different names, a common one, a dignified one, and a secret one, parodies the trinomen given to citizens of ancient Rome.)
The Storm of War is, I would say, semi-chronological in its arrangement: each chapter covers a major campaign or facet of the war: the Battle of Britain, the Holocaust, the battle in the Pacific, and so forth, in rough chronological order. Not being an avid reader of history books, I don't know if this is the norm or just Roberts' particular method of presentation. To an extent, it made the book feel a little bit non-linear. But with a topic as extensive as WWII, could it have been done any other way?